Field Recording
is what I want to do in the next years ,
or better
‘sound photographs’
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I haven't worked with field recorders for a long time. But I have a project in mind. Thats why I bought some sound equipment !
I wont go with the expensive Nagra or so...
Sound Devices ,ZOOM & Rode and the like do the job for me...
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Sound Devices MixPre 6
Field Recorder
Absolutely fantastic recorder with excellent Kashmir™ microphone preamps, it could hardly be better!
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Bag
4
Opening on the side for access to the connectors.Removable, water-repellent and transparent top Padded straps. Interior has various compartments through dividers with hook and loop fastener Pockets on the front and back.
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Zoom H5 Field Recorder
A nice backup recorder !
Four tracks of simultaneous recording and interchangeable mic capsules make the H5 flexible and powerful
The preamp of the H5 is not the best but for normal sounds it is fully ok. Only for the very quiet environments it is not quiet enough, you can hear preamp noise.
The H5 portable ‘Handy Recorder’ is designed for multitrack live event recording, broadcast, or ENG situations. It provides over fifteen hours of operation with 2x AA alkaline battery cells, and can simultaneously record up to four tracks of audio. The include shock-mounted microphone capsule allows X/Y audio capture up to 140dB SPL, whilst optional and interchangeable audio input capsules provide a number of differing input methods.
Recording directly to 16MB to 2GB SD card or 4GB to 32GB SDHC card, the Hrecords up to 24-bit/96kHz in BWF-compliant WAV format, or 48 to 320kbps in MP3 format. Internal processing allows to employ low-cut filtering, compression, limiting.
It's so small that you can always have it with you, it's very beneficial not have to carry the big set all, the time !
For my ZOOM H5 I have so far the following microphone capsules they also work with the my Zoom F4 & F1
The MSH-6 capsule for the H5 contains a unidirectional forward-facing microphone element as well as a bi-directional, side-facing microphone element to capture audio otherwise known as ‘mid-side’. The compatible recorder’s MS (mid-side) decoder allows the capture of a stereo image that can be later adjusted
The XYH-5 capsule is designed for live broadcast and podcast applications and provides two unidirectional condenser microphones, each fixed at a 90degree angle. Capable of handling input levels up to 140dB SPL, this capsule is also well equipped to capture audio from live concerts or electronic news gathering (ENG) applications.
Zoom EXH-6 - Dual XLR/TRS Combo Input Capsule for
The EXH-6 from Zoom adds two additional XLR/TRS combo inputs to the Zoom recorder. This makes the H5 capable of recording up to four external signals simultaneously. Capable of handling either mic or line-level signals, each input is equipped with its own preamp and -20 dB pad. But his module does not provide phantom power.
SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone to the H1,H5 and H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications. The SGH-6 Shotgun capsule is compatible with the Zoom H8, H6, and H5 Handy Recorders, F8n, F4 and F1 Field Recorders, U-44 Handy Audio Interface, and Q8 Handy Video Recorder as well as the ECM-3 and ECM-6 extension cables for Zoom microphone capsules.
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Zoom F1-LP
This is now my always on hand recorder
Field Recorder and Lavalier Microphone Set
Two-channel audio recorder
Compatible with zoom microphone capsules
Supports WAV formats up to 24bit / 96kHz or MP3 formats on microSD / microSDHC card (up to 32GB)
USB audio interface for PC and Mac (class compliant)
Rec Hold function for protection against accidental operation of the keys
Switchable limiter and impact sound filter
Automatic modulation
Internal clock for timestamp function
Power supply: USB or 2 NiMH batteries / rechargeable batteries (AAA)
Weight: 120 g (without batteries)
Connections:
Input for ZOOM microphone capsule
Microphone input 3.5 mm mini-jack with screw connection
Stereo headphone output
Micro-USB for file transfer to computer
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ZOOM F3
Compact 2-Track Field Recorder
- 32 bit Float dual-AD converter (max. 192kHz)
- No leveling required thanks to the 32-bit resolution and high-quality microphone preamplifier with low noise floor (-127 dB ON)
- Switchable phantom power (+24 V / +48 V)
- Illuminated LC display with a real-time waveform display for monitoring input signals
- REC hold function
- Recording format: WAV (mono or stereo), BWF and iXML
- Supports microSDHC / microSDXC cards up to 1 TB A precise timecode synchronisation with video - requires Zoom BTA-1 Bluetooth adapter (item 423971, not included in the delivery) and Timecode Systems UltraSync Blue (not included in the delivery)
- USB audio interface with 2 inputs/outputs (32 Bit / 96 kHz)
- Compact and robust housing Power supply via 2 x AA batteries (not included in the delivery), USB-C port or Zoom AD-17 power supply (item 325751, not included in the delivery)
- Remote control via "F3 Control App" for iOS and Android (requires Zoom BTA-1 Bluetooth adapter, not included in the delivery)
- 2 Mic/line inputs: XLR
- Stereo line output: 3.5 mm jack
- Stereo headphone output: 3.5 mm jack
- Dimensions (W x D x H): 75 x 77.3 x 47.8mm
- Weight (incl. batteries): 242 g
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6 Channels
14 Tracks
32 Bit float recording
6 Inputs: XLR female
Compact and light aluminium housing
High-quality microphone preamplifier with up to 75 dB gain
Inherent noise: -127 dBu (A-weighting, Gain = 75dB, 150 Ohm source impedance)
With phantom power (+48 V / +24 V)
Look-ahead hybrid limiter with one millisecond time offset to avoid clipping
Simultaneously record onto SD card and computer via USB connection
Recordings up to 32 bit / 96 kHz or 24 bit / 192 kHz
Works as a 6 in / 4 out USB audio interface with max. 96 kHz
Time code input and output via 3.5 mm TRS jack
3.5 mm stereo jack output
3.5 mm stereo headphone output
3 Power options: 4 x type AA batteries (not included), Zoom AD-17 power supply (optional) or Sony L-series batteries (optional)
Slot for SD/SDHC/SDXC cards with up to 512 GB
Remote control via free Zoom F Control iOS app (requires optional Zoom BTA-1 Bluetooth adapter)
Controllable via optional zoom F-Control FRC-8
Dimensions (W x D x H): 100 x 119.8 x 62.9 mm
Weight: 520 g
- 4 built-in mics arranged in an Ambisonic array
- Full-sphere surround sound recording
- Single-knob gain control of all input levels
- Onboard Ambisonics A to B decoding
- Three recording modes: Ambisonics, Stereo Binaural or Standard Stereo
- Record up to 24bit/96kHz
- Stereo binaural monitoring of Ambisonics signal
- Headphone output and line output
- Slate tone
- Extensive metadata
- Auto Mic Position Detection using 6-axis gyroscope (upfront, endfire, upside-down, endfire inverted)
- Level Function to ensure precise angle placement
- Wireless iOS remote control available through the BTA-1 Bluetooth adapter
- Onboard Ambisonics playback with audio rotation
- USB 2.0 Audio Interface Mode
- Zoom PC/Mac post-production software to play, change a direction, and convert to binaural, stereo,and 5.1ch surround file
- Powered by 2 AA batteries or USB bus power (not included in the scope of delivery)
- Records to SD card up to 512GB
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Rode Blimp with dead cat greatly reduces handling and wind noise
I got now two of those.
Thanks again Dr. Richter for the good set price !
It accommodates most shotgun microphones 325mm in length and 19-22mm diameter
Rycote Lyre suspension system onboard with internal spacing guide
Lightweight skeleton handle with 3/8” thread mount, Mogami cable with Neutrik and Switchcraft XLR connectors, Wind Shield and Shock Mount System. The RØDE Blimp is a complete windshield and shock mounting accessory for theRode and any third party shotgun microphone up to 325mm (12 ¾”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. The Blimp attaches to any standard boompole via 3/8" thread attachment at the base.
Mount Adapter
Compact and lightweight mount adapter for Blimp-basket windscreen boom pole (replaces the factory-mounted handle)
3/8" threaded receptacle
Weight: 60 g
Perfect to mount it on my Cullmann Tripot !
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AQUARIAN hydrophone
Unfortunately without XLR ...
The hydrophone is designed to work with any recording device, computer, or transmitter that offers a plug-in-powered, 3.5mm microphone input. It uses a low-noise, robust transducer assembly and includes a low noise internal impedance buffer amp. Operation is very simple: just plug in and use. It is a really good hydrophone ! POWERED BY A 9V BATTERY
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Telinga Modular Parabolic Microphone
A- Parabolic - Directional - Microphone
like the Telinga is a must for far away animal sounds..
It is very expensive, but worth every penny!
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LeafAudio Geophone L
Geophones are omnidirectional seismic sensors to capture low-frequent vibrations. Besides detecting seismic activity, Geophones are used to capture extreme low-end for sound design, music production, field recording, foley and game sound.
Facts - Geophone L:
• Height / width: 76 x 42 mm
• Weight: 250 g (Geophone L with cable & XLR)
• Weight: 472 g (incl. case and included add-ons)
• Case
• 2,0 m cable with balanced XLR
• Frequency range: 15 Hz - 1000+ Hz
• Impedance: 5222 Ohm
• Distortion: 0,05 %
• Sensitivity: 74,8 V/m/s
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Rode NT1A pair
They have Ultra-low self-noise (5dBA), so perfect for binaural nature recordings!
For this mics to work well outside I have to build two wind baskets arrount the original Spider Shock Mount, unfortunately there is nothing suitable on the market for these microphones ...
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Shot Gun Microphone
The NTG1 is a lightweight condenser shotgun microphone, designed for professional applications in film, video, television and broadcast. Its full frequency response, low noise and transparency make it ideal in a range of applications, including filmmaking, voice-over and streaming, while its low weight (105 grams) makes it an ideal boom microphone. It also features a switchable high-pass filter for added flexibility.
Because of its high sensitivity, the Rode NTG1 can generate high output levels without adding too much gain to your preamps; this helps reduce the self-noise for the preamps and delivers cleaners sounds.
Key Features:
Premium shotgun microphone
Low noise and full frequency response
Highly directional supercardioid polar pattern
High-pass filter (80Hz)
Lightweight (105 grams) and easy to use
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Audio Technica BP4025
Unique CONFIGURATION OF A LARGE COINCIDENT DIAPHRAGM CAPSULE
Unlike most X/Y stereo microphones where the capsules form a 90° stereo image, the BP4025 has ingenious arrangement of its large capsules for stereo more "realistic" 120° image. The two capsules are mounted back-to-back on the same electronic circuit.
This is a unique configuration of coincident large diaphragm capsules for impeccable sound quality and exceptionally low noise level. The audio reproduction - thanks to the excellent channel separation - is natural and powerful to give the listener the impression of being there when the audio was recorded.
- Unique configuration of large-diaphragm capsules offer pristine sound quality and exceptionally low noise
- Natural and powerful sound reproduction
- Innovative coincident capsule configuration produces accurate stereo image in smaller housing
- Compact, lightweight design is ideal for camera-mount use, but can also be used in the studio
- Excellent channel separation
- Phantom power operation—for use with professional equipment
- Diaphragms are 24.3mm diameter and a thickness of 2 microns
- 155 dB SPL, with 10 dB pad (nominal)
- Switchable low-frequency roll-off and 10 dB pad
- 80Hz Low cut filter with a slope of 12dB/octave
- Low self noise (14dB)
- Includes one balanced cable (5-pin XLRM at the microphone end and two 3-pin XLRM-type connectors at output end)
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Matched pair Lom basicUcho with Professional windshield also knows as BBG, made by Rycote in UK.
The basicUcho is a phantom-powered, high quality omni-directional electret microphone. Compared with regular built-in microphones supplied with many recorders, basicUcho has exceptionally low noise and high sensitivity. It is especially useful for recording delicate sounds and environments.
basicUcho has an industry-standard XLR connector for use with pro-sumer and professional field recorders and preamps.
The plastic part of the microphone body is professionally 3D-printed from plant-sourced PA11 nylon.
Phantom powered, pre-polarized condenser microphone
Operating voltage: 24-48V (phantom power, IEC 61938)
Maximum input pressure level: ~110 dB SPL
Sensitivity: -24 dB at 1kHz (±3 dB)
Self-noise: ~14 dBA
Output: XLR-3M balanced, transformer-less, floating
Output impedance: 30-50 Ω
Power consumption: ~3mA per pin
Dimensions: 80 x ⌀20.3 mm
The Professional windshield also knows as BBG, made by Rycote in UK. It is compatible with microphones with 19–20mm diameter. Made to offer the wind attenuation properties of a full sized windshield in a much smaller package, the BBG Windshields are designed to slip onto the body of the microphone. This allows the microphone to be hand-held or shock-mounted. They are also perfect for my RØDE Matched Pair of NT5.
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Sennheiser MK2002 binaural microphone system
Binaural audio recording is arguably the most realistic method of capturing audio by creating an accurate 3D-audio experience. The basic concept relies on the acoustic shadow created by the human head, which allows capture of audio directionality along all-three axis, X, Y, and Z , using two microphones. Each microphone is placed into the ear canal of a dummy head, or, as with this Sennheiser MK2002, within the outer ear of the dummy head or my (human) head.
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SR3D binaural microphone
The SR3D binaural pro condenser microphone, perfect for ASMR, field recording, and 3D audio experiences.
This microphone features an omnidirectional polar pattern.
The SR3D microphone is designed for professionals who demand high-quality audio recording. It weighs approximately 500g.
The SR3D binaural pro microphone, made in the United Kingdom.
Professional ultra low noise capsules
Very low noise circuits
Unique SR3D Silicone ears
Quality XLR sockets
Standard 1/4" tripod thread
Colour: WHITE
48V phantom power required
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adam hall MCT-7
prof. multi-connector cable tester
So you can be 100% sure that your cables are in order!
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Rode Stereo Bar SB20
perfect for the LOM mikroUši Pro & Lom basicUcho or the Rode NT-5Microphones!
Mounting Rail for Stereo Microphone Pair
For tripod mounting of two microphones
Material: Robust ABS
Precise angle and distance markers for positioning the microphones according to ORTF, XY or small AB
Two slidable 3/8" threads
Spacer can be used above or below
Dimensions (H x W x D): 170 x 240 x 70 mm
Weight: 45 g
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Beyerdynamic DT-770 Pro 80 Ohm Headphones
The Beyerdynamic DT 770 Pro 80 is an over-ear headset, but thanks to its soft, replaceable velour ear pads, both have a secure fit and a high level of comfort are ensured even during extended use. It features a single cable connection on the left side, which means it can be put on and taken off frequently without getting caught up in the cable, while the robust and adjustable spring steel headband with its soft padding also makes for excellent durability. And in keeping with beyerdynamic’s constant commitment to quality, the DT 770 Pro has always been
hand-built in Germany.
Beyerdynamic DT Hardcase
The Hard Case with zipper keeps the headphone save .
Fabric cover outside
Velvet coating inside
Small pocket with hook & loop fastener for e.g. 6.3 mm adapter
Outer dimensions: 22.5 x 18 x 12 cm
Weight: 180 g Colour: Black
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Flyht Pro Mobile EVA Case
Universal Case
For mobile radio links, recorders, accessories etc.
Fold-out accessory compartment
Hook and loop fastener straps for attaching to tripods
Carrying handle
Material: EVA
Outer dimensions (L x W x H): 250 x 240 x100 mm
Weight: 0.5 kg
A perfect orgenizer for all the bits and pieces you bring around with you! I have 2 of these...
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Gitzo Carbon Mountaineer GT3541L
Very expensive but worth any penny !
Scaled for professional equipment, medium format and DSLRs tele Lenses. High maximum load capacity and outstanding torsion rigidity, Series 3 tripods are available in 3- and 4-section models at standard and eye level heights. Series 3 Carbon 6X tripods are surprisingly lightweight and offer a good safety margin !
Quick specs
Attachment type 1/4", 3/8"
Material Carbon Fiber 6X
Maximum height with center column down 59.06″ (150 cm)
Minimum height 6.3″ (16 cm)
Folded length 23.62″ (60 cm)
Load capacity 39.68 lb (18.00 kg)
Weight 4.70 lb (2.13 kg)
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Cullmann Magnesit 532 Aluminum Tripod
I had this Tripod on many of my Expeditions!
This company has excellent customer service!
Thanks again to Roland Lämmermann
Professionally-specified full size 3-section tripod
Magnesium and aluminum alloy combination
Foam-padded upper leg segments ease handling in cold and carrying upon shoulder
Individual leg angle locks and detachable center column allow excellent minimum working height
Retractable spikes for use upon soft ground
Weight hook at bottom of center column for aided stability
Crown designed with ridges that perfectly mate to underside of Cullmann's Magnesit ball heads
Maximum upper leg diameter of 32mm
Load Capacity 17.6 lbs (8.0kg)
Head Attachment Fitting 3/8"-16 & 1/4"-20 (reversible)
Maximum Height 71.7" (182.0cm)
Maximum Height w/o Column Extended 61.0" (155.0cm)
Minimum Height 7.1" (18.0cm)
Folded Length 27.6" (70.0cm)
Weight 5.5 lbs (2.5kg)
Legs
Material Aluminum
Leg Stages/Sections 2/3
Leg Lock Type Flip locks
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Manfrotto MVK504X Tripod
Thanks again Michael for the good price !
The Professional Fluid Video System, Aluminium with Sliding Plate makes the job even easier, thanks to its long list of design features and high-functioning capabilities. This tripod with fluid video head gives a professional quality pan and tilt, extra easy set up, and the freedom to collapse and tidy away into a neat, compact package when you’re done.
This piece of kit consists of a fluid video head, and a pro video tripod with a mid-level spreader, giving you everything you need in one box. The mount features a 75mm half ball, so you’ll be able to get into the perfect position in a jiffy. This tripod with fluid video head can even support wider HDSLR and interchangeable lens cameras. The fluid drag system counterbalances loads up to 4kg, but it’s capable of holding normal loads up to 7kg, so one never have to worry about wobbling from one angle to the next, whatever equipment you’re using.
Linking the head to accessories like external monitors and microphones is a doddle too. Two easy link connectors give one the flexibility to attach whatever the job demands. And when the mount is up, it’s totally secure. It can support up to 20kg, making it super strong, all down to its die cast aluminium crown, and rigid two-stage design. The legs lock firmly in place at just a flick of a handle, spiked rubber feet and rubber overshoes keep a steady grip even on tricky terrain, and it’s versatile enough to pair with a number of different dollies.
Weight: 5.3 kg
Safety Payload: 10 kg
Counterbalance System: Fixed
Counterbalance Weight: 4 kg
Maximum Height: 164.5 cm
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Novoflex Ball 5
One of the Best ball Heads one can get !
Made in Germany !
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Nill Tripod Heads
Nill Classic & EX
All-in-one tripod head: whether landscape, macro or heavy telephoto - you only need the Nill panhead for optimum working .
Extremely fast, jerk-free and vibration-free handling, even with heavy telephoto equipment, thanks to the special design (camera-lens unit is almost in the center of gravity).
Simultaneous use of two camera bodies on one tripod.
The standard Arca-Swiss clamping rail can be used as an adjustment slide for macro photography.
without having to use a lens clamp.
Low weight (approx. 1000 grams), as it is made of anodized aluminium
Sturdy all-metal construction milled from a single piece.
Ideal for photo trips due to its space-saving design.
Robust and hard-wearing.
Extensive range of accessories.
Also ideal for use with spotting scopes.
Fair price - performance ratio.
5-year guarantee on all parts.
Made in Germany.
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Neewer z flex tilt ball head
very nice to have
Z-SHAPED TILT HEAD Helps to adjust shooting angles
Equipped with 1/4 inch screw
SOLID MATERIAL Made of CNC Machined Aluminum; Standard Load-bearing: 3 kg/6.6 lbs
The head is able to be adjusted freely. The folding design makes it convenient for carrying and storage.
Compatible with Tripod, track slider, slide rail car, stabilizer, etc.
Specifications
Standard load bearing: 3 kg/6.6 lbs
Material: CNC Machined Aluminum Alloy
Screw hole: 1/4
Unfolding Size: Approx. 90 x 90 x 90 mm / 3.54 x 3.54 x 3.54 inches
Folding Size: Approx. 90 x 90 x 21 mm / 3.54 x 3.54 x 0.82 inches
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Beyerdynamic ZSH 23 FT
Thanks again Pascal for the good price !
I have two of those !
Base plate with 3-pin XLR female and cable, for microphones with 3-pin XLR male
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Lowepro ProTactic
BP 450 AW II Backpack
I have to bring all my equipment to the recording locations, so I need a good backpack, not too big and not too small !
The ProTactic BP 450 AW II professional camera backpack expands upon the rugged versatility and armored protection the ProTactic series is known for. This high-performance second generation offers a more adaptive interior, multiple access points, modular exterior attachment capabilities, convertible utility belt and includes utility pouch, water bottle holder, tripod cup and two Quick Straps. ActivZone back panel gives targeted comfort and support while All Weather AW Cover protects gear from rain, snow, dust and sand. Compatible with all ProTactic series modular accessories.
High-performance modular photo backpack .
4-point access to gear
Waist belt converts to utility belt with included accessories
Lightweight FormShell™ construction for superior protection
New series of SlipLock™ modular accessories
CradleFit™ compartment safeguards up to 15-inch laptop
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Wind protection
Extremely important pieces of equipment are fur windscreens in all variations!
These DEAD CAT windscreens are available in many variations.
They are not cheap at all, but they are worth every penny!
Because without them every recording outside will be destroyed by wind noise!
These furs prevent this, more or less well!
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All my sound equipment I bought myself, nothing is sponsored!
I am not affiliated with any of the brands mentioned or featured !
Especially here in Germany you can buy such things in top condition for a fraction of the new price. Even then it will not be cheap at all but cheaper than new for sure and way better for our environment...
For all the other hard to get used, there is a very good store in Germany Thomann !
I am not affiliated with Thomann, I just like the store and the very good prices & service they provide !
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More to come ...
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Continue with:
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Only those who risk going too far, will discover how far they can go!
Expedition in USA, Alaska & Canada, Scandinavia with folding boat, motorboat, catamaran, motorcycle, off-road vehicle, bicycle ...
